Bangladesh Blog :: Business & Education » Entertainment

Bangladesh Gently Rocks Ricky’s Cradle

Sharon — Mon, 01 Sep 2008 08:19:05 +0000

Bangaldesh whacked South Africa, but the job was not accomplished in the manner Australia deceminates the opponents nowadays, but in the manner of a Chess Player, breaking down the opponent’s strategy part by part, till there is no rescue.

The signs were ominous in the manner in which they posted a 250 (the way Mortaza picked up the scoring rate gave an adrenalin boost to Ashraful, who then charged down at the South Africa bowlers especially at Ntini and Langevelt, since they had the bowlers but needed a score to bowl to. And the first time their batsmen gave them the score, the Bangladesh bowlers came up to the task. Rafique was always dreaded and showed his calibre, but Rasel was a find in the real sense. Abdur Razzak and Saqibul bowled to their potential on paper. Kallis now has company! We have one more all-rounder to entertain us in the coming years. Well, Bangladesh has kept the promise they showed on paper, unlike many of their greater counter parts. The entry of Bangladesh on the scene adds to the growing presence of Asia in cricket, and adds to the woes of some teams. As Bangaldesh walks the hallowed portals of Super 8, they are most likely to be eliminated, but their love affair with cricket is not likely to be forgotten by most of the teams.

The Fascinating History Of Film In Bangladesh

Recce — Wed, 30 Jul 2008 07:06:54 +0000

Movies were the center of social mores, fashion and design, politics in short, at the center of culture and, in so being, dictated the terms of their dominance to the other art forms: literature, theater, and painting were all redefined by their relationship to cinema. The cinema of Bangladesh is one of the least discussed Asian cinemas, so debates about issues such as its originating moment are still in their infancy. As part of a broader endeavor of articulating a framework within which Bangladesh cinema can be analyzed, this article asks: “When did Bangladesh cinema begin. ” Previous historians of Bangladesh cinema, who are generally concerned only with theatrical feature film production, are in consensus in answering this question: they locate the beginning of Bangladeshi cinema with the making of The face and the mask in 1956, and call this the “first” theatrical feature produced in the then East Pakistan/East Bengal. However, there are other less-celebrated “beginnings” of cinema in Bangladesh, in the early decades of the twentieth century. This short summary of Bangladesh national history demonstrates that the nation-state came into being more than seven decades after the arrival of cinema in this land. The traditional view of the beginning of cinema in Bangladesh The “starting point” of a history of a national cinema always denotes the historian’s “principles” or implicit understandings of key concepts such as “history”, “nation” and “cinema”. Similar to the concept “cinema”, the historians of Bangladesh cinema aspire to fit the face and the mask unquestioningly and unproblematic ally within the dominant discourse around the idea of Bangladesh as a “nation”, the discourse of cultural nationalism based on the distinctiveness and greatness of Bengali language and culture, incorporating also a flavour of socialism and a secular worldview.

Concerts – The Concert For Bangladesh

munich — Thu, 06 Sep 2007 06:25:56 +0000

In this article we’re going to review one of the greatest concerts in the history of modern music, the Concert For Bangladesh. The Concert For Bangladesh was held on August 1, 1971, at Madison Square Garden in the greatest city in the world, New York. To the youth of the time it was just another concert. But as history goes, it may very well go down as one of the greatest events in mankind’s. The brains behind the concert was ex Beatle, George Harrison, who had become very much into causes after the group split up. In this case, the cause was the people of Bangladesh, who were literally starving to death. The concert was put on in the hopes of bringing some hope to a dying region of the world. Bangladesh had a troubled history. The events leading up to this concert are as follows. In 1969 General Yahya Khan assumed power in Pakistan. His goal was to put an end to end the dictatorship and start a democracy. In December of the following year the League of Bangladesh won a huge victory. It became the largest party in Pakistan. But Kahn was unwilling to allow a power shift to Bangladesh. So the results of the election were ignored and a reign of terror was unleashed in Bangladesh to eliminate the opposition to Kahn. It is estimated that over 1 million people were murdered. This was the greatest atrocity since Hitler and the Jews. The ones who escaped to India suffered terrible starvation, among other things. Thus, the reason for the concert. It all started with a call that George Harrison made to Ringo Starr, another ex Beatle. He then made another call to Leon Russell. Both agreed to come to the East Coast for the concert. After those calls, others were made to business managers, the Garden itself and everyone and anyone Harrison could think of to be of assistance. The list of performers were as long as King Kong’s right arm. At the top of the list was Eric Clapton, who had played with George Harrison while with the Beatles on tunes like “While My Guitar Gently Weeps,” which was played at the concert itself. Another friend of Harrison’s, Billy Preston, who played on the Beatle’s big hit “Get Back” was also there. At the concert itself Preston played “That’s The Way God Planned It.” A group that was up and coming at the time, Badfinger, was also in attendance. They were supposed to be the next Beatles, actually founded by the Beatles and also on Apple Records. At the concert Badfinger served as a backing band and didn’t play any of their original material. Rounding out the all star cast was the great Bob Dylan, who sang many tunes including his signature tune “Blowin’ In The Wind.” The Concert for Bangladesh was not just a concert. It was an event. One that will never be forgotten and one that hopefully will never come again.